The return of the arts center

The arts center is a vital organ of the world of visual arts. They give birth to young artists, uncover trends, celebrate experienced approaches. Another major return for these centers dealing specifically with black struggles, is the spectral work of Jannick Deslauriers or the indigenous poetry of Nicolas Renaud, Dominic Lafontaine, Skawennati and Nico Williams.

Possibility of life/menm vye tintin (remix)

The Center d’exposition de l’Université de Montréal presents, from 12 January to 1^uh April, possibility of life/menm vye tintin (remix)by Stanley Juillet, a corpus is on display in 2021 and 2022 at the Musée national des beaux-arts du Québec and at the Musée d’art contemporain des Laurentides.

Practice as Ritual/Ritual as Practice

The struggle of black people is also at the heart of Articule’s concerns which will welcome, on March 17, the collective DAWA (Diasporic African Women’s Art Collective) and curator Andrea Fatona to Practice as Ritual/Ritual as Practice. Works by 10 artists who participated in the historic DAWA exhibition in 1989, Black Wimmin: When and Where We Come Inthe first to tackle the exclusion of black artists from the Canadian visual landscape.

Where were you in ’92?

At Optica, Pamila Matharu will be present Where were you in ’92?from January 21 to 1^uh April, on the embodied archive that is the legacy of innovative Fresh Arts, a program led by black artists.

Change Ring and Uncertain circumstances

Clark proposed, until February 11, Change Ringby Jeanette Johns, with the theme of observation, and Uncertain circumstanceswith the work of Jorge González Santos, Chaveli Sifre, Melissa Raymond, Joel Rodríguez Vargas and Radamés “Juni” Figueroa, who are interested in territorial restoration, sensory awareness and contemporary notions of tropical aesthetics.

Terms of Use

The PHI Foundation will be attending, starting March 9th, Terms of Use, which brings together works by 13 artists (including Skawennati, Nico Williams, Wu Tsang and Chun Hua Catherine Dong) exploring the effects of technology on the definition, construction, and reframing of individual and collective identities.

Exhibition of prints by Albert Dumouchel (1916-1971

As part of an exhibition of prints by Albert Dumouchel (1916-1971) at the Montreal Museum of Fine Arts, the UQAM Center de design will examine the role of the matrix for Quebec engravers, from February 9 to April 8.

be imaginary

After a very sharp exhibition dedicated in 2022 to Raymonde April, 1700 La Poste will reward us with a sculptural work by Jannick Deslauriers, from March 17 to June 18. be imaginary will be one of the highlights of Montreal’s spring visual arts program.

Sediments: archives as a fragmentary basis

Circa presents Maude Arès in Belgo, until March 4, then by Louis Bouvier, from March 18 to April 29. Judy Radul will occupy the Dazibao showroom from February 9 to April 8 with very musical works, and at the same time, we will be delighted to discover Anne-Renée Hotte with Song Circle in the examination room. At Concordia, Leonard & Bina Ellen are having an exhibition, from February 4th to 1st^uh April, Sediments: archives as a fragmentary basisproposal by Denise Ryner with works by Sandra Brewster, Filipa César, Justine Chambers, Louis Henderson, Pamila Matharu and Krista Belle Stewart.

EISODE

A place dedicated to generative arts, EISODE is offering computer experiences until February 23. Reservations are required to participate in the activities organized by artists Baron Lanteigne and Camille Bernard-Gravel.

Daphne Center for Aboriginal Arts

From 18 February to 29 April, the daphne Aboriginal art center will be exhibiting an installation by Nicolas Renaud (Wendat) and Dominic Lafontaine (Algonquin) that explores the notion of multipresence through wampum.

And tell me: why is the past tense always longer?

Stewart Hall Art Gallery at Pointe-Claire honors, until March 14, Michael Snow (recently deceased) who was part of the exhibition And tell me: why is the past tense always longer?, with Dominique Rivard, Lan “Florence” Yee, Nicolas Fleming, Raymonde April, Olivia Boudreau, Marie-Michelle Deschamps, Alexandre Guay and Margot Klingender. A glimpse into time travel, by curator Maude Hénaire.

Underground Arts Festival

The Art Souterrain Festival is back, for the 15th time^e issue, from March 18 to April 9, on the theme Celebration. Art Souterrain just launched a podcast, Behind the scenes art. Interviews with artists, curators and gallery owners. The first episode is dedicated to Yann Pocreau.

deadly state and Both feet in inheritance

Expression, the Saint-Hyacinthe exhibition center will present, from January 28 to April 23, a new installation by Cooke-Sasseville, deadly stateas well as looking back at the last ten years of Quebec duo practice, with Both feet in inheritance.

The Jacques-et-Michel-Auger Center for the Arts in Victoriaville

Finally, the Jacques-et-Michel-Auger arts center in Victoriaville is offering, through February 11, Our wild horizon, an installation by the sculptor Dgino Cantin. Two workshops for children will be held with artists on January 28. The arts center also exhibits downtown, until April 30, corpus photographs Roxham by Michel Huneault. Images evoking Roxham Road, still relevant at the start of the year…